"Vivir mi vida" [Living My Life] came out in 2013 as the first single from the album 3.0 by world-renowned salsa artist Marc Anthony, which won the Latin Grammy for Best Salsa Album in 2014.

Puerto Rican bandleader and singer of salsas and boleros, Gilberto Santa Rosa, is also known as "El Caballero de la Salsa" (The Gentleman of Salsa). His beautiful voice can be heard here on this ballad, "Que Alguien Me Diga" ("Let Someone Tell Me") from his 2008 album, Solo Bolero (Just Bolero).

Listen to Puerto Rican recording artist, Tito "El Bambino's" hit single, "El Amor," from his album, "El PATRÓN."

Listen to late Latin salsa singer, Hector Lavoe's signature single, "Mi Gente," from the album La Voz. The hit was recorded in Africa in 1973 with the Fania All Stars.

Héctor Lavoe was a Puerto Rican salsa group and solo singer who lived from September 30, 1946 to June 29, 1993. Among his solo hits were “El Cantante," "Periódico de ayer" and "Bandolera,” which, despite protests from Puerto Rican feminists about its controversial lyrics, enjoyed great success there.

In legendary Puerto Rican salsa singer Héctor Lavoe's 1976 hit, "Periódico de Ayer," Hector compares an ex-flame's love to yesterday's news. This is truly "classic" salsa that is known and loved throughout the Spanish speaking world and beyond — a must for any serious student of latin culture.

Listing the reasons it's not working anymore can help you move on. So can counting down from ten, and agreeing it's over when you reach zero. Enjoy this lovely break-up salsa!

This boy band may be underage, menores, but they are pretty sure they are ready to fall in love, a feeling that their screaming fan base is willing to reciprocate.

Enjoy the video for the song "Si no estás" (If you're not here) from the Puerto Rican singer Chayanne. This song is the third single from the album No hay imposibles (There are no impossible things).

Enjoy Mark Anthony’s cover of legendary Spanish singer and songwriter Jose Luis Perales’s song “¿Y cómo es él?” (“And What’s He Like?”). In this song, Marc Anthony leaves behind his signature Salsa sound and becomes a more inquisitive broken heart.

Can you tomar en serio a group called Circo? This Puerto Rican rock band gives us advice about how to leave behind bad moments at the speed of light. But should we trust them? What if they are payaseando?

What happens when you put beautiful and beautiful together? The amazing beaches of Guerrero, Mexico get an extra lift when Puerto Rican singing sensation Kany Garcia sings to her loved one. The song in this video is titled "Estigma de Amor"(Stigma of Love), and its lyrics fit perfectly with such a romantic setting.

At one time or another all our hearts have been broken. That’s why we bring you this song by Puerto Rican superstar Ednita Nazario. Active since 1961, she’s learned a thing or two about broken hearts. Here’s a helpful guide to mending and moving on!

Chayanne sings (and dances) to tell us all about Lola, who does not sound like a nice woman. Pity the fool that stands between Lola and her shallow pursuits!

Born in New York but raised primarily in Puerto Rico, Victor Manuelle is identified primarily with salsa romantica and salsa monga. Discovered by salsa superstar Gilberto Santa Rosa at a high school graduation party where Manuelle jumped on the stage, Victor has gone on to become one of the best-selling salsa performers of recent years.

Kany García has been enjoying a successful career and winning some of the most prestigious Spanish music awards, but if you go by this song, her love life hasn’t been quite as satisfying. Well, luckily, she’s found a solution to this problem (batteries sold separately).

No is a big word. Well, it has only two letters, but we all know how powerful it is. Ednita Nazario, here featuring Natalia Jiménez – lead singer of La Quinta Estación – wants to change her life, leave the past behind, close that door, finish that chapter. And there is only one way to do it: putting together a little “N” and a little “O.”

The kings of Alternative Reggeaton, Calle 13, are well known for their smart, fast and funny lyrics; they disrespect anybody and everybody. That’s why "Un beso de desayuno" is a surprise: for the first time we are tempted to leave off the viewer discretion sign in a Calle 13 video!

Puerto Rican half-brothers Residente (René Pérez Joglar) and Visitante (Eduardo José Cabra Martínez)—nicknamed for their respective roles in their weekly step-family visits to 13th Street—together make Calle 13. The music of Calle 13 is a sort of hip-hop/reggaeton with a sense of humor and playfulness. Watch out for the bleeped naughty words.

Michael Stuart, born in New York to Puerto Rican parents, received his musical education from his uncle Israel Timbalero Stuart, who helped him secure background vocal gigs for Johnny Rivera and Marc Antony. Since 1996, Stuart has released nine records, his latest a salsa album entitled Sentimiento de un Rumbero released on Machete Records in 2007.

Deep in the heart of Old San Juan you can hear live salsa music playing most any night at the Nuyorican Cafe. We stepped into the alley for a breather and had a little chat with two lovely salseras to get an insider view of what brings them back to the dance floor night after night.

Puerto Rican by birth, Luis Fonsi moved at an early age to Orlando, Florida. Despite having participated in a number of minor “boy bands,” it wasn’t until he was discovered by the president of the music school at the University of Florida, where he was a student, that he was offered a sizable recording contract. Success came quickly as his reputation spread throughout Latin America.

Of course tuve is the preterite yo form tener, so one might be misled to think that the refrain of this tune is “I had, I had.” However, in casual speech on the beautiful island of Puerto Rico, tú ve’ is short for tú ves (“you see”), but the uninitiated could easily mistake it for the verb tuve (“I had”). ¿Tú ve’?

Have you ever had una sospecha (a suspicion)? Puerto Rico’s Circo explores restless uncertainty and mines a treasure chest of carnivalesque imagery from the world of Santeria, that mix of African deity worship and Catholicism that sprouted after African slaves arrived on the shores of the new world.