People often say that Símon Bolívar, aka El Libertador, is to the people of Venezuela what George Washington is to the people of the United States. This is not entirely inaccurate, but this 19th century general and native son of Caracas retains a rock star / savior status that might equally be compared with Bob Marley’s place in the hearts of Jamaicans (and tender souled frat boys).

The talented Yasmil Maruffo has composed for, written for, and backed musicians ranging from Phil Collins to Ricky Martin. Yasmil wrote the music for Rumba en mi Corazón, and he co-wrote the lyrics with Servando Primera. Servando and his brother Florentin made it a hit. Here we catch a rare glimpse of Yasmil performing for a small group of friends.

As an artesan, Javier Marin works with a variety of materials, employing many techniques to create his pieces. He has been kind enough to take the time to explain some of these materials and processes. Javier’s father, in the days well before email, used to transmit telegraph messages via morse code in the building adjacent to where his son now works.

Ecological awareness is universal these days, especially among young people. Javier explains his own use of natural and biological materials, a use that does not involve the destruction of any living creatures, but rather the reuse of materials that have been jettisoned by their original animal owners.

Carlos Eduardo López Ávila, known to most of the world as Jeremías, (his nombre escénico) was born in London, where his parents were studying, but he returned with them to their native Venezuela at the tender age of two. Billboard describes his music, with its blend of trova, pop, salsa and rock as mestizo (which of course usually refers to a person of mixed blood).

Vela, a word often used for “candle,” or “sail,” can also mean “wakefulness,” as in “vigilance.” It’s related to the verb velar, “to stand watch.” The name of the port city of La Vela de Coro refers not to the “sails” of merchant ships (as many assume) but rather to this town’s role as a “lookout” point for marauding pirates. One-eyed peg-legs are now less common, but the carnivalesque annual festival of Los Locos continues on.

Francisco sees potential for creation and innovation in a wide range of materials: drift wood, shells, seeds, goat skin, even plastic debris. He is speaking with the governor about creating a tallerr, or workshop, that can be used to teach artistic skills to the young people of the area, as well as to showcase the work of other local artisans.

Francisco’s little Taller Arte is guarded by the ever-vigilant Señor Coco, who never sleeps and sees all! Taller means “workshop,” and, as in English, this word can have a range of meanings, such as a place where artisans create, a place where things are fixed, or an event where people get together to work on ideas.

Most English speakers have at some time in their lives heard Donovan sing “The Hurdy Gurdy Man,” but how many knew what such a man did? The woman in this video talks about a musical family that used to play the sinfonía, and indeed this is the Spanish name for the hand-crank organ known as a “hurdy gurdy.”

It’s quite possible that El Día de Los Locos, as celebrated in La Vela de Coro, has its roots as far back as the Roman Empire, which celebrated Saturnalia at the same time of year. Both festivals, historically, involve turning the social order on its head, with slaves dressing like their masters.

A little spot to build, to create, to listen to the sea, what more do any of us really need? Francisco takes a beautiful public space and makes it his own through conservation, beautification, and an open invitation to all to come, enjoy and treat nature’s work with care and respect.

Hector Montaner takes after his father Ricardo Montaner in both good looks and musical ability. After a childhood of studying in Venezuela’s most prestigious conservatories, Montaner relocated in the late ‘90s. "Apariencias" (Appearances) is the title track of his sophomore album release.

La Vela is a small town in the state of Falcón, on the northwest coast of Venezuela, where every December 28th Los Locos [“The Crazy Ones”] arrive wearing colorful and elaborated costumes. The whole town becomes a party, with businesses closing and people dancing in the streets. It’s a tradition that could be in any magical realism novel and that desperately struggles to not fall into oblivion.

Franco de Vita, born in Venezuela to Italian immigrants, is probably Venezuela’s most popular musical export; he’s considered Latin music’s most consistently popular singer-songwriter. At 53 he has 25 years in the limelight to prove it. Mil y Una Historias En Vivo is his newest album.

Isa, short for Isabella, seems to be one optimistic and happy girl. This song is an invitation to teens and pre-teens to come dance and enjoy her TV show Isa TKM. BTW: In Spanish, TKM means te quiero mucho (I love you), in texting-style.