Evo Morales was a Bolivian congressman at the time of filming in 2004. At the time he was best known as an advocate and unofficial representative of traditional coca farmers, who are, for the most part, poor and marginalized. Today this indigenous politician and one-time farmer himself is best known for being president of Bolivia.

Can the forced displacement of families ever be justified? This is a question that knows no borders as governments seek out locations for new highways, hospitals, universities, and, especially, airports. The people of Atenco, Mexico, argue against plans to put one on their farmlands.

If you find it unusual that a farmer is comparing compensation for his land with the cost of presidential bath linens, you are clearly not aware of the toallagate scandal that rocked Vicente Fox’s administration and led to resignations at Los Pinos. We’re not sure what kind of towel US $400 buys, but it best be pretty darned afelpado is all we can say!

Something that induces lagrimas (tears) is said to be lacrimógeno. So if you were organizing a Festival de cine lacrimógeno, only tear-jerkers would fit the bill. If, on the other hand, you were organizing a protest of the forced seizure of your family’s farm, you might find yourself crying because of the gas lacrimógeno wafting through the air.

Partido de la Revolución Democrática is what PRD stands for, and Mexican presidential hopeful Manuel López Obrador has been with the organization since its infancy when was known as the “Democratic Current” (Corriente Democrática), a dissenting wing of the once indomitable PRI, Partido Revolucionario Institucional.

López Obrador’s campaign commercials really try to shake potential voters out of their sillas, attempting to give the potentially marginalized a strong message: “now it’s our turn, now it’s your turn!” He blatantly positions himself against the rich, those who “take the biggest piece of the cake.”

Enjoying almost full support by his party as their presidential candidate, Andrés Manuel López Obrador stepped down from his post as Mayor of Mexico City, aka D.F. (Distrito Federal) to campaign for the presidency of Mexico in the 2006 elections against Felipe Calderón.

Spain has never been a country afraid of divisive politics, and filmmaker Joan Planas has no fear of getting controversial when presenting his views of society, church and state. Note that the older gentleman is not speaking straight Spanish but Catalan, and the Spanish captions reflect not his exact words but are the same as the Spanish subtitles seen in white on the screen.

Barrio Adentro (Inside the Neighborhood) is a program of free medical clinics that have been established throughout Venezuela. Critics include the Venezuelan Medical Association, who claim that the Cubans who make up most of the doctors are not qualified, though the WHO and UNICEF are generally as enthusiastic as Omar about the program.

Imagine the horror of stepping on a landmine while gardening. This is what happened to farmers José Moncada and Reinaldo Herrera. Through great courage they survive to testify of the enduring evils that are minas antipersonales.

You know what a calavera is, no? If you see one, especially on a sign in a former war zone, be very, very careful. Soldiers from Brazil, Colombia, Venezuela and the U.S. came together to reduce the need for these signs in Central America… reclaiming fields filled with anti-personnel mines so that farmers can return to using them for crops.

In this installment of the dispute documentary we hear Mexican revolutionary Emiliano Zapata quoted over a protester’s loudspeaker. As Zapata said: “¡Victoria o muerte!” (“Victory or death!”). To protest the taking of their farmland, the people of Atenco are using stronger and stronger language. Listen in.

Not only does our filmmaker continue with his diatribe against the state of society as he finds it in Nicaragua, but the story takes an investigative turn. We find that not only doesn’t sponsored-child Christina del Carmen match the photo that had been supplied by Ayuda en Acción, she is also not yet enrolled in a school.

Joan Planas continues to pull no punches, taking on NGOs, television, and the Catholic church. Oddly enough, despite his firebrand rhetoric, the film ends on a rather conservative note, suggesting that perhaps what poor nations need is not so much charity but rather a change in actitude, or “attitude,” so as to reflect the mindset of people in successful nations. Tune in to find out the details.

Arriving in December of ‘71, a young Arturo Vega decides that it is New York where he is going to clavar, or stay put. His journey began in Mexico, where he began his artistic life as an actor and participant in experimental theater or “happenings”—an art form which was not well received by the powers that be in that country.