Let’s listen to more of this love story, starring a German woman and a Peruvian man on a date with destiny!

María Sol gives us some advice on learning Spanish and tells us about the advantages of studying online. Study live with Maria and other great teachers at GoSpanish.com. Your first five days are free and no credit card is needed.

Guillermo the shaman, an expert in Mayan cosmology, explains the origin of and symbolism behind the Mayan word "chamamán" as well as some other interesting aspects of their belief system.

Guillermo gives us an in-depth explanation of the manner in which Maya ceremonies were used to welcome the seasons, each of which represented a unique consciousness.

Guillermo speaks about how the sound of the drum represents keeping moving rather than staying stagnant in life and how increasing one's sphere of vision and confronting one's emotions can lead to balance and ultimately, happiness.

With the Spaniards' arrival to Tenochtitlán, Mexican culture as we know it began to emerge with their racial, cultural and spiritual merging with the diverse pre-Hispanic inhabitants of those lands. The Concheros dances about which native Mexican, Alfredo Martinez, speaks to us, are just one representation of this fusion.

It's your opportunity to learn how to make some beautiful ocarinas. Their sound is so sweet!

On June 9, 2020, the world lost Pau Donés, the lead singer of famed Spanish rock band, Jarabe de Palo. In this interview, the charismatic and down-to-earth entertainer talks to Yabla’s Cleer regarding, among other things, the origin of the group’s name and their musical mission and style.

We’ve all heard of the bolero, which has its modern roots in nineteenth century Santiago de Cuba (even though we might not be able to hum one on cue). But what about the cuartetazo? Born in Córdoba, Argentina, and derived from Spanish and Italian dances, the name is derived from the fact that the earliest players were invariably four-piece bands. The rhythm is similar to merengue.

¿Quién es Javier García? With his producer (and two-time Academy Award winner) Gustavo Santaolalla, Javier Garcia talks about his roots and influences. Also, we learn about some noted musicians who contributed to the album 13, including the great trumpet player, Arturo Sandoval.

As an artesan, Javier Marin works with a variety of materials, employing many techniques to create his pieces. He has been kind enough to take the time to explain some of these materials and processes. Javier’s father, in the days well before email, used to transmit telegraph messages via morse code in the building adjacent to where his son now works.

Ecological awareness is universal these days, especially among young people. Javier explains his own use of natural and biological materials, a use that does not involve the destruction of any living creatures, but rather the reuse of materials that have been jettisoned by their original animal owners.

José Rodriguez, the caretaker of a beautiful finca, or farm, is kind enough to show us around and tell us a bit about the area and himself. You will probably realize that pues, as José employs it, is a common muletilla (“filler” word), used to add a bit of emphasis or just as a matter of speech style, and doesn’t really always have to be translated (though it can often be thought of as akin to “well”).

The game of brisca uses 40 cards known as the “Spanish deck.” One aspect of play involves using body language to reveal your hand to your partner. This is why the gentleman says “we blink an eye and we do like this…” He is making a joke about this body language/cards relationship when he says “your head aches when you have the ace of oros.”

Goy plays guitar and sings for Karamelo Santa, one of the best ska bands in Latin America. Argentina is the band’s homeland (they are practically from the Pampas). But the 7 boys with wild hair and wild songs do not sing around a Gaucho campfire; their sound reverberates in the world’s largest cities.