VIEWER DISCRETION ADVISED. For all you semiotics majors, Maria “La Mala” Rodriguez explores the intersection of sex, commerce, technology, gender and competition in "Jugadores, Jugadoras" (Male Players, Female Players).

¿Qué bolá? That’s ¿Qué pasa? (What’s Up?) in Havana, where your “homeboy” is your “monina,” your “consorte,” or simply ‘asere.’ Here we find musical giants Orishas back in the old barrio of Vedado.

Belanova is appreciative and proud that so many of Latin America’s and Mexico’s biggest stars, such Joselo and Coti saw fit to take the time to join them on their tour. The band is humble, but not without ambition; they have set their sites beyond the habla hispana, seeing potential fans in Australia, Italy and even Japan.

If you have ever seen Almodovar’s Matador you are familiar with the “black widow” phenomenon. Javier García explores the same territory here, tongue firmly in cheek, in his remix video for Me Gustaría, which might make you think twice before chatting up that sexy pole dancer you meet at the airport.

Division Minuscula hails from Matamoros, a Mexican border town just to the south of Brownsville, Texas. Despite having disbanded for five years while members finished their degrees and helped out with family businesses, the group is back and not yet forgotten, with this hit song, Sismo (Earthquake), shaking the airwaves.

Dhira brings a heavy Hindu and Indian influence to the European club scene’s take on American hip-hop and club music. These late night party animals are said to be vegetarians who enjoy cheese sandwiches when they are not busy rapping.

Deep in the heart of Old San Juan you can hear live salsa music playing most any night at the Nuyorican Cafe. We stepped into the alley for a breather and had a little chat with two lovely salseras to get an insider view of what brings them back to the dance floor night after night.

"Me Puedes" is the first sencillo (single) to be released by the phenomenal La Gusana Ciega in over five years. (And it’s great!) It’s from an album called La Rueda del Diablo (The Devil’s Wheel), which was recorded in Los Angeles under the direction of eight-time grammy winner Benny Faccone, who has worked his magic with the likes of Stevie Wonder, Ricky Martin and Santana.

Vamos al grano, Babasónicos might just be one of the most popular bands on the planet, as popular in Distrito Federal (Mexico City) as they are in Capital Federal (Buenos Aires). "Risa" is un tema pegajoso, which is to say “a catchy tune,” that for sure te gustará mucho (you’ll like a lot)!

Puerto Rican by birth, Luis Fonsi moved at an early age to Orlando, Florida. Despite having participated in a number of minor “boy bands,” it wasn’t until he was discovered by the president of the music school at the University of Florida, where he was a student, that he was offered a sizable recording contract. Success came quickly as his reputation spread throughout Latin America.

We are all familiar with ¿Cómo se dice…?, “How do you say…”—it’s a very useful phrase when inquiring about the right words to use. Denisse Guererro repeatedly uses a similar phrase, asking the audience ¿Cóme dice?, which also sounds like it might be something like “How does one say?” but in fact this is Spanish for “How does it go?”—she wants the crowd to sing along!

Of course tuve is the preterite yo form tener, so one might be misled to think that the refrain of this tune is “I had, I had.” However, in casual speech on the beautiful island of Puerto Rico, tú ve’ is short for tú ves (“you see”), but the uninitiated could easily mistake it for the verb tuve (“I had”). ¿Tú ve’?

Edgar Huerta, keyboardist of Belanova, refers to Joselo of Cafe Tacuba as un cuate. The word comes from the indigenous Nahuatl word coatl, which means “twin.” But Joselo is not Edgar’s gemelo, cuate is known by all Mexicans to refer to a “good buddy,” a “dear friend.”

Pulsorock has this to say about Los Nativos (the name given to the members of Vivanativa): La energía positiva que irradia este conjunto de talentos no tiene fin y es imparable. The positive energy that this set of talents radiates is endless and unstoppable! Hyperbole? We think not… check it out!

Have you ever had una sospecha (a suspicion)? Puerto Rico’s Circo explores restless uncertainty and mines a treasure chest of carnivalesque imagery from the world of Santeria, that mix of African deity worship and Catholicism that sprouted after African slaves arrived on the shores of the new world.