Cleer and Lia make a chocolate cake for Mother's Day and share the recipe with us.

When the doll house that Guillermina is building gets swept away by a wave, Mister Snail offers his expertise to help build a new one.

Graciela teaches us how to make "carimañolas," which are delicious Colombian yucca fritters.

In the conclusion to this series about Colombian painter Leonardo Rodriguez Sirtori, he shares with us how he has evolved with age and how such has affected his work.

Colombian artist Leonardo Rodriguez Sirtori explains how the "alla prima" [wet-on-wet] style of painting influences his work.

Artist Leonardo Rodriguez Sirtori explains the roles of his color palette and light in his attempt to represent a plethora of shades of brown and black skin.

Artist Leonardo Rodriguez Sirtori explains how, with some notable exceptions, the representation of European figures and history have often been prevalent in art. It is his hope that art throughout the world will increasingly reflect figures of African descent, particularly through the eyes of artists of African descent themselves.

Despite having been inspired by a multitude of diverse subjects throughout his artistic career, Leonardo Rodriguez Sirtori's gallery owner asks him to compile an exhibition focusing on his dark-skinned portraits.

Artist Leonardo Rodriguez Sirtori speaks about his latest project, a series of portraits that celebrate the nuances of black skin.

Leonardo Rodriguez Sirtori, an artist from Bogota, Colombia, takes us to his workshop, offering us some insight into the work he creates.

In the final part of this series, Luis advises Monica to do exercises to control her own anger before advising others how to control theirs.

Luis explains to Monica how, in order to write for others, one must first write for him or herself.

Monica seeks her friend, Luis', advice about whether or not she is ready to write a book on spirituality.

Cleer, a professional makeup artist from Colombia, takes us step by step through the makeover she is giving her friend, Catalina, in preparation for her job interview.

As Lombana attempts to hold his workers accountable for what happened to Duque, the pressure on Duque himself is beginning to be too much for him to handle.