It’s been a long night, but the drama continues. Federico apologizes to Luisa for his latest outburst, but soon he realizes that things are worse than he thought. Meanwhile, Ivo and Milagros finally sit and talk, but their conversation is far from cordial. So much hatred and vengeance under one roof!

Reality strikes Millie right as her dream night is ending: Grandma’s intentions weren’t as good as they seemed to be. But in the end, a forgotten slipper could bring us back to the realm of fantasy!

We had no idea this fairy tale would have so many witches in it! After her magical entrance, Milagros encounters a lot of resistance and discomfort, and we’re not just talking about her heels!

El Patito Feo is one of those tales told a thousand times that still amazes us. It’s Milagros’s time to go from Cenicienta to princess. We love when telenovelas read like fairy tales!

With each episode we get closer to solving the mystery surrounding Milagros’ origins. Meanwhile, Morgan (or Rocky, as he likes to be called) has to prove his English skills when facing an angry Señorita Victoria.

Milagro’s street smarts are well developed but now it’s time for a serious musical education. Enough with the cumbia, says Grandma, let’s appreciate Beethoven’s tunes. Will Mili survive classical music? What does Sister Catalina/Sister Cheeks know about Milagros? Will her secret make her lose her appetite?

Majo’s theatrical aspirations seem to have been crushed by reality. Meanwhile Gloria is trying without success to balance intimacy and family.

Once again Mili has to face Ivo. They’re sharing a roof after all. But this time she seems to have a strategy suggested by good friend and inexperienced but enthusiastic hairdresser Mariposa. Will it work? Heavenly houseguest Sister Catalina is leaving. The fridge is empty and we learn what planchar used to mean.

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?

Mili is dressed to kill, ready to go to the bailante to meet Lina. Bobby and Ivo are already there dancing. Ivo blows off steam by telling Bobby that he’ll have his grandmother get rid of the source of his problems, who then shows up. What will happen next?

It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).

Milagros comes clean about how she found out about the bet between Ivo and Bobby. Despite advice to sleep, Cholito leaves behind her fútbol playing personality and pigtails for the Mili of the night life when she decides to salir a bailar.

Milagros, aka Cholito, aka Mili, gets glum about being a rata traicionera.
Bobby laughs it up at Ivo who now owes money to both Bobby and Millie. What better way to aflojarse a little than to go dancing?

Elena claims she only wants to tell Mariano about the bills, but if you believe that we’ve got a bridge in Uruguay we’d like to sell you. Mariano, well, he just doesn’t seem to be able to say the right thing. Hombres.

Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.