Colombian artist Leonardo Rodriguez Sirtori explains how the "alla prima" [wet-on-wet] style of painting influences his work.

At her super-intensive Spanish course at El Aula Azul, Ivonne is greeted by Silvia, who explains to her a bit about the program for which she is in store.

Recognizing that it often seems more difficult to make new friends as adults, rather than in our younger days, Natalia offers us some tips to do so.

Cleer interviews her cousin, Lila, who shares with us some interesting details about her travels and life.

Upon discovering an incredibly juicy secret about Sam, Pablo advises him to keep it from the girls.

Artist Leonardo Rodriguez Sirtori explains the roles of his color palette and light in his attempt to represent a plethora of shades of brown and black skin.

The present perfect tense in Spanish is used when an action in the past occurs within a time period that has not yet concluded. Carlos clearly explains how this compound verb tense is formed as well as giving us several examples.

This lesson focuses on negative feelings in Spanish.

Pablo tricks Sam into saying and doing things to annoy the girls, until they finally make a drastic decision.

Natalia explains to us about the four types of temperaments and how understanding your own can help you to best utilize your personal characteristics and interact with others.

Carlos explains to us the range of meanings that the verb "tocar" can have in Spanish, depending upon the context.

Ioia ends the series by explaining and demonstrating the difference between the verbs "parecer" and "parecerse." You can take Spanish classes in beautiful San Sebastian at El Aula Azul. Visit www.elaulaazul.com for more information.

This lesson teaches us to talk about an array of positive and negative feelings in Spanish.

Ana and Lola are in agreement that while "Sam from America" seems nice enough, he is definitely not the heartthrob they had envisioned.

Artist Leonardo Rodriguez Sirtori explains how, with some notable exceptions, the representation of European figures and history have often been prevalent in art. It is his hope that art throughout the world will increasingly reflect figures of African descent, particularly through the eyes of artists of African descent themselves.