The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

Sole likes her candy, but she’s not averse to sharing it. In Spanish, a lollipop is known as chupa-chups, piruleta or paleta. Do you have a favorite flavor?

The opening theme song of Verano Eterno, a show that follows a group of friends in a lakeside community, is filled with poetic phrases and metaphors. Enjoy this clip while today explodes.

Amelia and the girls at first don’t know what to make of him, a small man who arrives with a big wad of money. Soon enough it becomes apparent, Santiago Ritchie is intent on having more than a little fun. (But could that be the only reason for his largesse?)

Milena is enjoying some theater from her private box when Santiago Ritchie appears. Milena wants the lowdown on what he found out about Amelia’s girls while visiting. Santiago obliges. Flavio sleeps.

In the previous segment we found Milagros and Gloria shaking it to un ritmo vallenato from Colombia’s Caribbean coast. Upon her return to the convent, Milagros is singing Ricky Maravilla’s "¿Que tendrá el petiso?" which probably got its inspiration from "Locas por el mambo", a huge 1950 Havana hit from the great Benny Moré.

Sofi’s “ex” seems to be courting a restaining order, no pun intended. Meanwhile, Jose, still pining for Mani, has a heart to heart with her brother, Franco, over the breakfast table about unrequitted love.

Totally ignorant of Jose’s longing for him, Mani (“el soñador”) is having his own private chat with Juan (who’s motto is: “quizás signifca sí”). It’s Clara, not Jose, who’s on Mani’s mind. Franco is thrilled with the job Violeta is doing, but tension is in the air when a cunning rubia enters the scene.

Mauro’s not afraid to place a wager on his success with Violeta, though we wouldn’t bet on it ourselves. Franco drops into Dolores’ shop, just in time to realize that Sergio is the father of Brisa.

It seems the brother-in-law is having an affair with the cook’s daughter, who is trying to get him to help her out of her maid’s uniform, and not only during the wee hours of the morning. But it doesn’t seem like el patrón is in the mood to be doing any favors for his wife’s brother, does it now?

When we ask for two, we’re happy to get any, but Melina is a lady not used to being short-changed, abril bello or no…

Gloria and Majo are still on the same job but inhabit different planets. Meanwhile Melina connives to plant seeds of desertion in Gala’s unsuspecting head…

Through una trampa Cholito catches Ivo in bed with a nun and turns it into una extorsión while confronting him about paying up, or poniendo estaba la gansa, for an apuesta that he lost to a friend.

While some people are trying to get to the party at all costs (and that means dodging grandma’s attentions for Benji), the only thing Tomás wants to do is to get out of there. Don’t let the panza pain fool you, he’s definitely in love with Clara. We can feel the temperature growing higher and the plot getting closer and closer to the ignition point.

Finally, Ivo acts on his threats. He asks his grandmother—the refined Señora Angelica—to fire her maid Milagros. Why? Because Milagros is una cloaca, un desastre and, well, casi salvaje. But Grandma has some of her own ideas cooking…

Alfredo pays a surprise visit to Luisa who is visibly confused. Is Alfredo her psychologist, her friend or something more? Luisa doesn’t have any idea and the whole situation is driving her crazy. She certainly needs help, but who is she going to call if the problem is the only person she trusts?

Why is La Virgen de la Soledad so important in Milagro’s past? Finally it’s the moment to tackle our protagonist’s mysterious origins. Meanwhile, is Ivo ready to ask his father some important questions?

What’s that strange man doing in Milagros’ room? And is that obviously fake beard part of his disguise or a makeup slip up?

In this episode of Muñeca Brava, we strongly recommend that you don’t trust anyone. Milena pays a visit to Luisa ignoring the weird doctor-patient relationship that they had. Then Martita tries to snitch on Milagros, ignoring the fact that she also has her own share of dirty laundry. And there’re so many love triangles that it’s starting to look like a geometry class.

Yago is a jungle boy and Morena is a city girl. We’re in Misiones, the small rural town where Yago lives. But everything is about to change when New York–based Morena arrives running away from her past.

What do you like more, money or power? It seems like almost everyone on this show is after one or the other and is willing to do almost anything to get it. Madam has a headache… or is it something worse? Is madam hallucinating, drinking—or being set up?