El Patito Feo is one of those tales told a thousand times that still amazes us. It’s Milagros’s time to go from Cenicienta to princess. We love when telenovelas read like fairy tales!

Acrobat Francesca was a mujer de casa before becoming a circus artist. It was love that brought her here to the big tent, where she now splits her time between performances and day-to-day chores.

Even if Orishas left Cuba looking for new fortunes, they never forgot where they came from. In Nací Orishas, they’re singing to the same streets where they grew up.

In part two of the EPK, Bersuit gives background to the remaining songs on Hijos del Culo revealing more of their take on politics and society. Note the way they mix humor and seriousness in their definitions of “psicópata.”

With each episode we get closer to solving the mystery surrounding Milagros’ origins. Meanwhile, Morgan (or Rocky, as he likes to be called) has to prove his English skills when facing an angry Señorita Victoria.

Milagro’s street smarts are well developed but now it’s time for a serious musical education. Enough with the cumbia, says Grandma, let’s appreciate Beethoven’s tunes. Will Mili survive classical music? What does Sister Catalina/Sister Cheeks know about Milagros? Will her secret make her lose her appetite?

Orishas is the most famous Cuban band of recent years. They have achieved fame and glory all over Europe and Latin America. Even those who don’t understand their lyrics (sometimes hard enough even for Spanish speakers) can’t seem to keep their hips and shoulders still.

The Cuban band Orishas went all the way from starving artists to well fed ambassadors of Latin Hip Hop. Let’s listen in as even Spaniards ask for some explanation of the Cuban slang and cultural references found in the song “El Kilo.”

In this Electronic Press Kit (EPK), Bersuit Vergarabat’s members talk about the inspirations for and the process behind many of the songs on their album, Hijos del Culo, while talking a bit about the social commentary that runs strongly throughout their music.

Majo’s theatrical aspirations seem to have been crushed by reality. Meanwhile Gloria is trying without success to balance intimacy and family.

This is the final part in Natalia Oreiro’s biography. We have seen family, friends and coworkers talk about her successful professional career and personal life. We’ve felt both jealous and glad when listening to all her achievements. Luckily, Natalia is still working hard to please us!

Once again Mili has to face Ivo. They’re sharing a roof after all. But this time she seems to have a strategy suggested by good friend and inexperienced but enthusiastic hairdresser Mariposa. Will it work? Heavenly houseguest Sister Catalina is leaving. The fridge is empty and we learn what planchar used to mean.

Natalia Oreiro’s life keeps getting better after her marriage to Dividos’ Ricardo Moyo. But she knows that when you get so much from life, you have to give something back, and that’s why she’s constantly trying to help people.

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?

19 year old Kat de Luna was born in the Bronx and raised in the Dominican Republic where she received operatic vocal training. Relocating to the States as a pre-teen, she entered and won a Karaoke contest where the legendary Cuban salsero Rey Ruiz gave Kat advice that she carries with her today, “nobody knows you better than you do, and no one can help you if you can’t help yourself.”