One day while looking for shells for Guillermina's collection, Guillermina and Candelario find themselves in the mangrove, where they experience yet another wondrous adventure.

After a thorough examination of the dog, Huesos, the veterinarian recommends to his owner to seek out specialists for some of the issues particular to him.

El Aula Azul (The Blue Classroom) staff member, Silvia, explains to Ivonne about the plethora of other activities the school offers to complement her intensive Spanish course, including surfing lessons!

Colombian artist Leonardo Rodriguez Sirtori explains how the "alla prima" [wet-on-wet] style of painting influences his work.

Lola, Ana and Pablo are excited to take Sam to celebrate Carnival, when their landlord pays them a surprise visit to ensure that her rules are being followed.

Spanish teacher Maria teaches us the names of the various family members in Spanish.

Posing as a Spanish marquis named Ignacio, the con man and the actress, Amalia, visit the Spanish embassy while Agent Suarez pays a visit to the stewardess in hopes of gleaning more information about "Pierre Bernard."

After a meeting is cancelled on him at the last minute, a boss and his very efficient assistant sit down together to reschedule it, as well as going over the boss's agenda for the day- both business and personal.

Yago's memory about his childhood is jogged during his emotional visit with Lucio. Meanwhile, Morena's meeting with Aldo takes a confrontational turn.

Will Kevin's annoying brother, Leo, interfere with his plans to call Lisa?

"Limón y Sal" [Lemon and Salt] is the title track from Mexican artist, Juliet Venegas' fourth studio album, which focuses on the ups and downs of relationships.

Europa Abierta concludes this epsidode with excerpts from the movie, Fuchsia the Mini-Witch, based on a novel by Paul van Loon.

Candelario tells his grandfather how, with Guillermina's help on his most recent school project, he got the best grade in the class.

In the conclusion to this series about Colombian painter Leonardo Rodriguez Sirtori, he shares with us how he has evolved with age and how such has affected his work.

Lida enlists the court's help when, after leaving voluntarily, her ex-husband returns and refuses to leave her home.