Difficulty: Adv-Intermediate
Spain
75 Minutos continues with its first-hand look at how Spanish migrant workers harvest the olive crop.
Difficulty: Adv-Intermediate
Colombia
At Colombia's Mono Núñez music festival, many indigenous musical instruments can be heard. Learn about some of them in this video.
Difficulty: Adv-Intermediate
Spain
In this episode, we meet a family of chestnut pickers.
Difficulty: Adv-Intermediate
Spain
The olive harvest season has arrived and many Spanish migrant workers must say goodbye to their homes and families for months at time.
Difficulty: Adv-Intermediate
Spain
In this episode, the hostess continues to explore the lives of Andalusian farmers in La Campana, a small town in Seville, and wakes up early to accompany them on their way to work harvesting olives.
Difficulty: Adv-Intermediate
Spain
On the first episode of this several-part series about Andalusian farmers, we begin to explore how these hard-working folks bring typical regional products like olives, avocados and chestnuts "From the Field to the Table."
Difficulty: Adv-Intermediate
Nicaragua
Acrobat Francesca was a mujer de casa before becoming a circus artist. It was love that brought her here to the big tent, where she now splits her time between performances and day-to-day chores.
Difficulty: Adv-Intermediate
Mexico
The 51-year-old Alejandro Fernández has released twenty-three albums over the years. The son of another popular Mexican singer (Vicente Fernández), Alejandro has come into his own as a passionate man, unafraid to show his feelings. This documentary brings us inside the recording of Viento a Favor, an album that quickly went platinum.
Difficulty: Adv-Intermediate
Honduras, Nicaragua
The effort to de-mine Central America is truly an international one, with assistance coming from the U.S., Germany, Spain, France, England, Japan, Canada and Sweden (who’s ambassador is featured here, speaking eloquent Spanish). Also we hear from soldiers on the pleasure of serving a mission of peace, as opposed to one of war.
Difficulty: Adv-Intermediate
Spain
Joan Planas continues to pull no punches, taking on NGOs, television, and the Catholic church. Oddly enough, despite his firebrand rhetoric, the film ends on a rather conservative note, suggesting that perhaps what poor nations need is not so much charity but rather a change in actitude, or “attitude,” so as to reflect the mindset of people in successful nations. Tune in to find out the details.
Difficulty: Adv-Intermediate
Nicaragua, Spain
Not only does our filmmaker continue with his diatribe against the state of society as he finds it in Nicaragua, but the story takes an investigative turn. We find that not only doesn’t sponsored-child Christina del Carmen match the photo that had been supplied by Ayuda en Acción, she is also not yet enrolled in a school.
Difficulty: Adv-Intermediate
Mexico
In this installment of the dispute documentary we hear Mexican revolutionary Emiliano Zapata quoted over a protester’s loudspeaker. As Zapata said: “¡Victoria o muerte!” (“Victory or death!”). To protest the taking of their farmland, the people of Atenco are using stronger and stronger language. Listen in.
Difficulty: Adv-Intermediate
Brazil, Honduras, Venezuela
You know what a calavera is, no? If you see one, especially on a sign in a former war zone, be very, very careful. Soldiers from Brazil, Colombia, Venezuela and the U.S. came together to reduce the need for these signs in Central America… reclaiming fields filled with anti-personnel mines so that farmers can return to using them for crops.
Difficulty: Adv-Intermediate
Honduras
Imagine the horror of stepping on a landmine while gardening. This is what happened to farmers José Moncada and Reinaldo Herrera. Through great courage they survive to testify of the enduring evils that are minas antipersonales.
Difficulty: Adv-Intermediate
Nicaragua, Spain Catalonia
Spain has never been a country afraid of divisive politics, and filmmaker Joan Planas has no fear of getting controversial when presenting his views of society, church and state. Note that the older gentleman is not speaking straight Spanish but Catalan, and the Spanish captions reflect not his exact words but are the same as the Spanish subtitles seen in white on the screen.
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