Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Mother Superior thinks she’s tucked them both safely in for the night, but Milagros and Gloria have other ideas, and they don’t involve preparing for mass the next morning at seven a.m. Can they possibly get away with it?

Victoria isn’t exactly what you’d call “deep”, but she’s no pushover. She knows what she likes, and what she doesn’t. She certainly doesn’t like to be called Vicki, nor does she enjoy the company of Bobby, her brother’s chatterbox friend. She strives for ever more glamour and refinement, even deciding to change the name of her driver from Rocky to the more patrician “Morgan”.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

Her name is Milagros- her nickname, “Cholito”. She’s wild on the soccer field, and not much tamer off of it. An orphan, she was brought up in a convent. But now she’s almost 18, and she will have to make her own way in the world. The world might not be quite ready…

She loves Barcelona, but lovely Tatiana’s accent quickly gives her away as a colombiana (from Bogotá, to be precise). Until the Olympics came to town and spurred a facelift, Barcelona wasn’t really living up to its potential. But now it is fully exploiting its great location on the Mediterranean Sea.