It’s been a long night, but the drama continues. Federico apologizes to Luisa for his latest outburst, but soon he realizes that things are worse than he thought. Meanwhile, Ivo and Milagros finally sit and talk, but their conversation is far from cordial. So much hatred and vengeance under one roof!

Reality strikes Millie right as her dream night is ending: Grandma’s intentions weren’t as good as they seemed to be. But in the end, a forgotten slipper could bring us back to the realm of fantasy!

We had no idea this fairy tale would have so many witches in it! After her magical entrance, Milagros encounters a lot of resistance and discomfort, and we’re not just talking about her heels!

El Patito Feo is one of those tales told a thousand times that still amazes us. It’s Milagros’s time to go from Cenicienta to princess. We love when telenovelas read like fairy tales!

Acrobat Francesca was a mujer de casa before becoming a circus artist. It was love that brought her here to the big tent, where she now splits her time between performances and day-to-day chores.

With each episode we get closer to solving the mystery surrounding Milagros’ origins. Meanwhile, Morgan (or Rocky, as he likes to be called) has to prove his English skills when facing an angry Señorita Victoria.

Milagro’s street smarts are well developed but now it’s time for a serious musical education. Enough with the cumbia, says Grandma, let’s appreciate Beethoven’s tunes. Will Mili survive classical music? What does Sister Catalina/Sister Cheeks know about Milagros? Will her secret make her lose her appetite?

Majo’s theatrical aspirations seem to have been crushed by reality. Meanwhile Gloria is trying without success to balance intimacy and family.

This is the final part in Natalia Oreiro’s biography. We have seen family, friends and coworkers talk about her successful professional career and personal life. We’ve felt both jealous and glad when listening to all her achievements. Luckily, Natalia is still working hard to please us!

Once again Mili has to face Ivo. They’re sharing a roof after all. But this time she seems to have a strategy suggested by good friend and inexperienced but enthusiastic hairdresser Mariposa. Will it work? Heavenly houseguest Sister Catalina is leaving. The fridge is empty and we learn what planchar used to mean.

Natalia Oreiro’s life keeps getting better after her marriage to Dividos’ Ricardo Moyo. But she knows that when you get so much from life, you have to give something back, and that’s why she’s constantly trying to help people.

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?

Off-screen, Natalia Oreiro’s love life sounds a lot less complicated than her on-screen characters’. After her six-year relationship with fellow actor Pablo Echarri ended amicably, she found love with the front man of the band “Divididos,” Ricardo Mollo, with whom she had more in common with than people seem to think.

Mili is dressed to kill, ready to go to the bailante to meet Lina. Bobby and Ivo are already there dancing. Ivo blows off steam by telling Bobby that he’ll have his grandmother get rid of the source of his problems, who then shows up. What will happen next?

It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).