María “La Mala” Rodríquez’ latest effort has taken Spain by storm. The record, says María, is called Alevosía because “Lo he hecho a tiro hecho, sobre seguro y no hay fallos. Lo he hecho queriendo.” YaTv.com calls her “the most courageous voice” of Spanish rap today.

Los Tetas got together in their native Chile in 1994, where they honed a unique blend of funk, hip hop, and soul, and since then have bopped around the Americas, living in New York and Mexico. This track features a good natured appearance by fellow Chilean Germaín de la Fuente, whose romantic crooning has been swooning latin lovers since the early 70’s.

Molotov brings us another inspired video that doubles as a lesson in modern Mexico: PAN, PRI, PRD, and el bono sexenal! By the way, do you know why Rudy Giuliani’s image appears so often in Molotov videos?

The stupendous Natalia Oreiro released the fiery single “Me Muero De Amor” even before it became the theme song for Muñeca Brava, in which she also stars. The show was a smash hit not only in Latin America but also in Europe and the Middle East, and as such buoyed worldwide sales of the record.

The house is called “La Soledad”, which might be fitting enough for some of the souls who dwell within it. Grandma hasn’t left her room in years, nor is she on the best of terms with her son, the patriarch of the house. He, in turn, is no longer exactly enamored with his wife, nor sympathetic to her weakness for the bottle. The fun is just beginning…

Federico’s secretary invites him over for dinner, but there will be no berries and cream if she can’t be the master chef. Meanwhile… our delinquent little minas have escaped the confines of the convent orphanage.

Tío, there is something creepy going on upstairs in that big house! Anyway, the real action is at the dance hall, and that’s where we find our truant heroine, Milagros, and her willing accomplice, Gloria.

In the previous segment we found Milagros and Gloria shaking it to un ritmo vallenato from Colombia’s Caribbean coast. Upon her return to the convent, Milagros is singing Ricky Maravilla’s "¿Que tendrá el petiso?" which probably got its inspiration from "Locas por el mambo", a huge 1950 Havana hit from the great Benny Moré.

It seems the brother-in-law is having an affair with the cook’s daughter, who is trying to get him to help her out of her maid’s uniform, and not only during the wee hours of the morning. But it doesn’t seem like el patrón is in the mood to be doing any favors for his wife’s brother, does it now?

Take it from the boys in Skampida, the best ways to learn a language are 1) to watch a lot of tv (yabla!) and 2) to find yourself a native girlfriend/boyfriend! Skampida is one of the best bands ever from Bogotá, and we caught up with them while they were spending some time hangeando in The Big Manzana.

Just over a quarter of Mexico’s 127.5 million people are aged 18-24, and as such the “youth vote” could easily make or break any candidate in Mexico’s upcoming election on July 2. Patterned after the “Rock the Vote” campaign in the USA, Tu Rock Es Votar is running a television, radio and web campaign that hopes to improve voter turnout in the Mexican youth population despite a general desencantado (“disenchanted”) attitude found amongst all eligible voters.

Tu Rock Es Votar, a.k.a. TREV, continues its efforts to rally Mexico’s youth to get out and vote come election day. It’s something of an unspoken secret that TREV’s organizers tend to lean to the left, but they strive to make the ads non-partisan.

The opening theme song of Verano Eterno, a show that follows a group of friends in a lakeside community, is filled with poetic phrases and metaphors. Enjoy this clip while today explodes.

Sofi’s “ex” seems to be courting a restaining order, no pun intended. Meanwhile, Jose, still pining for Mani, has a heart to heart with her brother, Franco, over the breakfast table about unrequitted love.

Totally ignorant of Jose’s longing for him, Mani (“el soñador”) is having his own private chat with Juan (who’s motto is: “quizás signifca sí”). It’s Clara, not Jose, who’s on Mani’s mind. Franco is thrilled with the job Violeta is doing, but tension is in the air when a cunning rubia enters the scene.