Not only does our filmmaker continue with his diatribe against the state of society as he finds it in Nicaragua, but the story takes an investigative turn. We find that not only doesn’t sponsored-child Christina del Carmen match the photo that had been supplied by Ayuda en Acción, she is also not yet enrolled in a school.

Bienvenido al sueño is the first solo effort by the artist formerly known as Rubén Albarrán—of Café Tacuba / Café Tacvba fame. (‘Tacuba’ became ‘Tacvba’ after a lawsuit, according to this Wikipedia entry.) Check out Sizu’s wild video to the album’s title track. Nice hats, no?

Not only did poor Manuel Rosales lose the election for president, but winner Hugo Chavez’ supporters are trying to knock him out of his post as governor of Zulia. In a faux futuristic recounting of a would be history, this wildly hopeful presidential campaign ad (disguised as a movie trailer) not only dared Venezuelans to vote for change, but dared to sell a bearskin before actually catching the bear.

Francisco’s little Taller Arte is guarded by the ever-vigilant Señor Coco, who never sleeps and sees all! Taller means “workshop,” and, as in English, this word can have a range of meanings, such as a place where artisans create, a place where things are fixed, or an event where people get together to work on ideas.

In most Spanish dictionaries una yegua is “a mare,” as in “a female horse.” But in Babasónicos’ homeland, Argentina, it can also mean “a sexy thing.” To settle on your own definition of this song’s title, you may just have to watch! (By the way, this is currently one of the hottest bands in Rock en Español.)

Joan Planas continues to pull no punches, taking on NGOs, television, and the Catholic church. Oddly enough, despite his firebrand rhetoric, the film ends on a rather conservative note, suggesting that perhaps what poor nations need is not so much charity but rather a change in actitude, or “attitude,” so as to reflect the mindset of people in successful nations. Tune in to find out the details.

Why is it that some musicians have such synergy together? Belanova describes the fusión that is created when each distinct musical personality comes together, and how this unique “fusion” has brought them from after-class practice to stadium-filled tours.

Javier (Jay) De La Cueva Rosales is known to many in Mexico by the stage name “Brian Amadeus Moderatto,” under which guise he serves as lead singer of the group Moderatto. Here we find Brian making a guest appearance with Belanova during a live show in Guadalajara, much to the delight of the tapatíos who filled the hall.

Arriving in December of ‘71, a young Arturo Vega decides that it is New York where he is going to clavar, or stay put. His journey began in Mexico, where he began his artistic life as an actor and participant in experimental theater or “happenings”—an art form which was not well received by the powers that be in that country.