Once again Mili has to face Ivo. They’re sharing a roof after all. But this time she seems to have a strategy suggested by good friend and inexperienced but enthusiastic hairdresser Mariposa. Will it work? Heavenly houseguest Sister Catalina is leaving. The fridge is empty and we learn what planchar used to mean.

Natalia Oreiro’s life keeps getting better after her marriage to Dividos’ Ricardo Moyo. But she knows that when you get so much from life, you have to give something back, and that’s why she’s constantly trying to help people.

Poor Bertolt Brecht should have suffered with Majo’s free version of one of his most well known poems “Ahora Me Llevan a Mí.” Her performance not only disturbed the German playwright’s sleep but also wasn’t delivered to the right audience, was it?

This Argentine hip hop artist reminds us of the artist formerly known as the artist formerly known as Prince. Dante has been recording since he was 14, as part of the very successful duo known as Illya Kuryaki and the Valderramas.

Off-screen, Natalia Oreiro’s love life sounds a lot less complicated than her on-screen characters’. After her six-year relationship with fellow actor Pablo Echarri ended amicably, she found love with the front man of the band “Divididos,” Ricardo Mollo, with whom she had more in common with than people seem to think.

Mili is dressed to kill, ready to go to the bailante to meet Lina. Bobby and Ivo are already there dancing. Ivo blows off steam by telling Bobby that he’ll have his grandmother get rid of the source of his problems, who then shows up. What will happen next?

It’s a slow night at Amelia’s little casa de tolerancia. Gloria takes off to see her son, Luchi, and Soledad disappears with young Carlos, who has once again arrived with a pocket full of pesos. Amelia finds that she has an itch in her stockings, and an obliging Raymond is beckoned to scratch it (while the great José Luis Perales once again sets the mood).

Milagros comes clean about how she found out about the bet between Ivo and Bobby. Despite advice to sleep, Cholito leaves behind her fútbol playing personality and pigtails for the Mili of the night life when she decides to salir a bailar.

Milagros, aka Cholito, aka Mili, gets glum about being a rata traicionera.
Bobby laughs it up at Ivo who now owes money to both Bobby and Millie. What better way to aflojarse a little than to go dancing?

Elena claims she only wants to tell Mariano about the bills, but if you believe that we’ve got a bridge in Uruguay we’d like to sell you. Mariano, well, he just doesn’t seem to be able to say the right thing. Hombres.

While some people are trying to get to the party at all costs (and that means dodging grandma’s attentions for Benji), the only thing Tomás wants to do is to get out of there. Don’t let the panza pain fool you, he’s definitely in love with Clara. We can feel the temperature growing higher and the plot getting closer and closer to the ignition point.

Through una trampa Cholito catches Ivo in bed with a nun and turns it into una extorsión while confronting him about paying up, or poniendo estaba la gansa, for an apuesta that he lost to a friend.

Teresa thinks that Juan’s room has a lot of onda, which is to say that it’s got a nice vibe. But hey, Jim Morrison’s watchful gaze will do that to a pad. It’s definitely a summer of love for some, but not for Mauro: but not for lack of trying. Can he buy Violeta’s love with favors and persistence?

Sure, Natalia has had it rough. A certifiable worldwide hit with Muñeca Brava, a stud actor boyfriend followed by a superstar musician boyfriend, a rising singing career; she’s the kind of girl many mere mortals would love to hate. But… she’s just impossible to dislike!

Tomás’ parents are leaving him all alone for the weekend, and Juan is quick to come up with a plan. Violeta, meanwhile, is cooking up plans of her own, but they don’t involve Mauro—despite his attempts to woo her back with flowers.

Majo’s daliance with a washed-up actor will soon prove to provide her with a little more drama than she’d bargained for. Gloria senses that his role might not be the hero’s but Majo is oblivious. Meanwhile Gala meets one of those cincuentones (guy in his fifities) that Melina has promised her.

Imagine the shock to Natalia’s parents when they first saw another couple on the TV claiming that she was their child. Unfortunately, such a thing was not, in fact, entirely impossible. A blood test, however, proved the sad couple wrong. Natalia’s starring role in Ricos Y Famosos would soon bring Natalia, and her actual mom and dad, back to the top of the world.

Vamos al grano, Babasónicos might just be one of the most popular bands on the planet, as popular in Distrito Federal (Mexico City) as they are in Capital Federal (Buenos Aires). "Risa" is un tema pegajoso, which is to say “a catchy tune,” that for sure te gustará mucho (you’ll like a lot)!

Mauro thought he’d seen the last of Juan when he fired him from the record store, only to find the boy raiding his kitchen fridge! Mauro attempts to throw him out but his mom intervenes. It turns out that Mauro’s sister Teresa has convinced her mother to pay Juan to teach her to play the piano. Mauro is not amused.

Elena is absolutely certain she will not be calling Mariano, her estranged, cheating boyfriend. She professes this fact repeatedly. But when Vero drops by, still tipsy from the club, discussion of lonely reality has its effect. She breaks down and picks up the phone…

When a strange man insists he is Natalia’s true father, she is oddly sympathetic, “we all know about el proceso.” But do we? The “process” is shorthand for the era of military dictatorships that engulfed the Southern Cone in the mid 70’s. During this era, untold numbers of infants of suspected “subversives” were kidnapped, often taken by police or military members to raise as their own.

In most Spanish dictionaries una yegua is “a mare,” as in “a female horse.” But in Babasónicos’ homeland, Argentina, it can also mean “a sexy thing.” To settle on your own definition of this song’s title, you may just have to watch! (By the way, this is currently one of the hottest bands in Rock en Español.)

The cocktail party effect explains our ability to isolate a solitary voice amidst a sea of yappers, music and crowd noise. Let’s meet our ladies at the disco, where background noise and the effects of actual cocktails upon speech put our own c.p.e. skills to the test. (This one is hard, use the SLOW button!)

Axel Fernando entered the Conservatorio Nacional Superior de Música in Buenos Aires at only eight years old, but dropped out in his early teens, wishing to focus more on academics, and less on music. To the delight of adoring fans throughout the world, he got serious again about music at seventeen, and hasn’t looked back since.