Ecuadorian restaurant owner, Carmen Itarba, speaks to us about her restaurant in Yawarkucha, Ecuador, which specializes in tilapia and caters to Ecuadorians and tourists alike.

Artist Leonardo Rodriguez Sirtori explains the roles of his color palette and light in his attempt to represent a plethora of shades of brown and black skin.

The owner of "Huesos" [Bones] the dog takes him to meet a new veterinarian and find out about his general health.

Kevin plays hooky in order to avoid running into his crush. Can he muster up the courage to call her?

A passionate cattle ranch owner tells us about the procedure at a Colombian dairy farm, including the entire process of cow milking.

Roberto Cardenas visits his old friend, Matilde, at her bar, where Celso is up to his usual shenanigans. Meanwhile at the Sirenios' company, the employee whose advances Morena spurned reveals her true nationality to Aldo.

"Felipe Urrutia" is forced to tell Amalia he's not who he's said he is.

Colombian artist Leonardo Rodriguez Sirtori shows us his studio and palette of colors, in addition to explaining about the ideal lighting conditions for many artists.

A Mexican stunt double, whose experience lies primarily in film and TV, visits a theater in hopes of signing up for classes to gain experience in a different genre.

Natalia explains to us about the four types of temperaments and how understanding your own can help you to best utilize your personal characteristics and interact with others.

When Ariana wakes up feeling ill, she has to make an appointment with her general practitioner. What will he prescribe?

Kevin is traumatized when Fede's intervention with his crush does not go exactly as planned

As Angelica begs Luisa to tell her the truth about her grandson, Rocky and Bobby's rivalry over Victoria continues.

Money continues to talk for Felipe Urrutia, who manages to pull various strings to keep up his act with the actress, Amalia Durango.

Artist Leonardo Rodriguez Sirtori explains how, with some notable exceptions, the representation of European figures and history have often been prevalent in art. It is his hope that art throughout the world will increasingly reflect figures of African descent, particularly through the eyes of artists of African descent themselves.