Partido de la Revolución Democrática is what PRD stands for, and Mexican presidential hopeful Manuel López Obrador has been with the organization since its infancy when was known as the “Democratic Current” (Corriente Democrática), a dissenting wing of the once indomitable PRI, Partido Revolucionario Institucional.

Carlos and Angeles are a young couple from Burgos, located about an hour and a half north of Madrid, a city that dates back to 884! The surrounding province is also known as Burgos, and tucked inside it is an equally historical town known as Lerma, which is where we meet up for a walk and conversation.

Emiro used to live in oil-rich Maracaibo, where his father was headmaster of the school system Shell oil ran for the children of employees. (Did you know: Venezuela is the only country in the Americas that’s a member of OPEC? And a founding member at that!)

Emiro spent years crewing an oil tanker, and many more as a fisherman commanding his own lancha, so it’s no surprse to find him at the helm of his own seaside kitchen, the Pimienta Café in Adícora. Join us as we drop in to check out the menu!

This video will introduce you to the Yabla Player and how to use it, focusing on the key features such as integrated dictionaries, slow play, navigation and the Yabla Game.

We’ve all heard of the bolero, which has its modern roots in nineteenth century Santiago de Cuba (even though we might not be able to hum one on cue). But what about the cuartetazo? Born in Córdoba, Argentina, and derived from Spanish and Italian dances, the name is derived from the fact that the earliest players were invariably four-piece bands. The rhythm is similar to merengue.

¿Quién es Javier García? With his producer (and two-time Academy Award winner) Gustavo Santaolalla, Javier Garcia talks about his roots and influences. Also, we learn about some noted musicians who contributed to the album 13, including the great trumpet player, Arturo Sandoval.

José Rodriguez, the caretaker of a beautiful finca, or farm, is kind enough to show us around and tell us a bit about the area and himself. You will probably realize that pues, as José employs it, is a common muletilla (“filler” word), used to add a bit of emphasis or just as a matter of speech style, and doesn’t really always have to be translated (though it can often be thought of as akin to “well”).

We happened upon Pipita on the sidewalk in Madrid and she introduced us to her traveling companion, Nuria Gonzales. Nuria hails from Asturias, in the north of Spain, but now teaches Spanish at a university in the USA. Lucky for us, they both agreed to an on-the-spot exclusive interview.

Hugo Chávez is divisive figure in Venezuela, as he is the world over, but the enthusiasm he generates amongst a large and vocal segment of the population is undeniable. Omar Vizcaya is a Chávez supporter, and was kind enough to agree to share some of his thoughts and ideas about the current situation.

With a difficult subject like math, it really helps to have a friendly, likeable teacher to help you through all the mental gymnastics required, and to give you a boost of confidence when needed. Andrés Valencia is just such a guy! Luckily for us, he agreed to chat!

Our friend, Rafael, returns this week to talk to us about his homeland and its culture. As he explains, the Mayan culture continues to thrive in Guatemala via its language, clothing, and customs.

Marriage and children bring with them needs and responsiblities that a soltero doesn’t have. Rafael hopes to grow his small pharmacy into a cadena of drug stores that he can use to benefit his wife and kids. To raise the necessary capital, Rafael is working abroad for a few years.

Si*Sé brings together musical languages such as hip-hop, funk, rock, jazz and even classical violin. Singer Carol C, who grew up in a Spanish language household within an English language city, adds bilingual vocals that pull together the group’s electrifying sound.

Recently the song "Mesa Que Más Aplauda" from the Mexican group Climax had reached coastal Venezuela and was blasting from every bootleg music kiosk and bus stereo. Its catchy, inane, meaningless refrain za za za, yakuza, yakuza was on the lips of every impressionable child from 5 to 50. Taimur was no exception (nor were we!)