Javier is proud of his fruit stand: he says it’s the best in all of Tijuana, Mexico. He explains to us how he prepares the different fruit shakes, fruit cocktails, and fruit salads, as well as a special recipe from Tijuana for tostilocos.

This group formed in 1991 to fill a gaping hole in the Venezuelan club/dance band scene. They have a Latin Grammy under their belts as well as nominations for Grammys and Latin Grammys. Move to the beats of “Como sabes tú” from the album Commercial.

Ivo is at work on the construction site, and he brings Milagros along. She’s interested in his work, in his co-workers, and in… what the construction workers are eating. Meanwhile Bernardo is helping Luisa, but not in the way she thinks! While she relies on him for help getting ready, he is really only helping her think she’s going crazy.

A robbery in San Sebastian's renowned Spanish language school, El Aula Azul?. Whodunnit? What did they steal? Ester tells the story of the robbery and another story about a trip her school took.

One brother has terrible news and the other brother is supposed to be happy about it? And who was Lucio kissing and why didn’t he introduce her to Aldo? What kind of family… ? Yes, it’s messy. Meanwhile, Yago finds the lovely, if high-strung, Morena hanging out in the jungle. Will he save her yet again?

Martin, Eduardo, and Karla take a trip around the Chubut province of Argentina, learning about and filming each cities’ fauna. On this leg of the trip, they are in the Valdes Peninsula to see the elephant seals and their breeding grounds.

Ana Fernández-Villaverde, aka La Bien Querida, sings hauntingly about regret in “De Momento Abril.” Sharing the stage with this Spanish songstress are guitars, violins, a piano, a drum set and a cajón—that is, a box-shaped percussion instrument to sit on. The cajón is originally from Peru, but it’s used in modern flamenco and other musical genres.

This classic Mexican western begins with a boy and his godfather discussing bravery. We all experience fear, but we mustn’t be dominated by it, says the godfather. The boy is just getting over hepatitis, and is eager to accompany the doctor back to town…

People lose hope all the time. But new hopes are born every day: hopes of changing stations in life, of winning over someone’s heart. Ivo and the Doña are both busy inspiring dreams in others.

Uruguayan musician Gonzalo Yáñez has been making music from a very young age. After working with different groups, he began his solo career in 2004. In this song, the title track of his latest album, he blends acoustic guitar with synthesized sounds, and the catchiness of the chorus contrasts with the darkness of the narrative lyrics.

While people are mourning Victoria and asking for her forgiveness, Lucio hears the test results from his doctor. And after hearing that the French guy could tell all once he gets out of his coma, Ramon goes to his bedside. Back in the jungle, Morena finds out the puma isn’t the only thing to worry about while hiking.

Listen to Silvia, a teacher at San Sebastian's Spanish language school, El Aula Azul, tell about her family, which she describes as a normal family: not too big. It’s not that small, either. You might want to take out a pen and map out her family tree!

Mili can’t concentrate during her table manners lesson… she’d rather learn about men. Meanwhile, Pablo seems to have broken out of his self-induced solitude, but is it too soon? Like anyone would, Ivo wants to help his best friend get what he wants… but if that something is Ivo’s sister, will he still be a true blue friend?

Manu Chao is French, but he has Spanish roots. He sings in six or seven different languages, from Spanish to English to Arabic, and his music has even more diverse influences. “Clandestino,” the title track from Manu’s first album, deals with the issue of immigration: “I wrote it about the border between Europe and those coming from poorer nations. Look around – maybe thirty percent of the people in this street are clandestino (illegal).”

Camilo Lara is the man behind the Mexican Institute of Sound (when he’s not busy being the president of EMI Music in Mexico). With this project, he intended to create a fusion of traditional elements with electronic music. MIS tunes have been invading TV and advertising lately; see if you recognize the song “Alocatel.”