As Luisa grills Andrea about Federico’s fidelity, Ramón confronts Martha and Ivo converses with his Grandma Angélica.

As Morena tries to work her magic at the mansion, Gardel is astonished by the evolution of his beloved Buenos Aires.

This episode of 75 Minutos shows us a bit about how the Spanish chestnut farmers sell their product, how it is processed and the multitude of delicious foods and dishes in which chestnuts can be utilized.

Sub30 explores the manner in which having children may change some people's perspective on life.

A chef responsible for picking the finalists on Mission Chef tells about the qualities necessary for becoming a chef as well as about what excited him as a budding chef.

As Rapallo and Ripetti talk shop, Milagros says her emotional goodbyes to the monastery and Bernardo attempts to comfort the inconsolable Pablo.

Yabla introduces us to Yepez, a painter from Venezuela.

Listen to the single, “Sin Excusas,” from Chico Trujillo’s 2008 album, Plato Único Bailable. The enormously popular music group, Chico Trujillo, branched off from the Chilean ska-punk group, Lofloripondio, creating a unique genre of Cumbia music known as “Nueva Cumbia Chilena.”

Lucio and Melina discuss living arrangements while Elena and Morena make elaborate plans for the upcoming nuptials.

Singing in Nasa Yuwe, their native language, is one way in which Colombia's indigenous Nasa population strives to preserve and make more visible their language, culture and customs.

An awkward encounter ensues between Morena and Yago in the garage. However, with the combination of characters congregating inside the mansion, more dramatic confrontations are surely on the horizon.

Sub30 continues with Jimmy, who tells us about some of the challenges and rewards of being a single parent.

Enrique Iglesias' first single from his compilation album entitled Enrique Iglesias: 95/08 Exitos was "¿Dónde están corazón?" and became his eighteenth hit on the Billboard Hot Latin Tracks chart.

Milagros comes to terms with her impending departure from the convent.

Mario learns that diversity at the Mono Núñez Festival extends beyond the various Colombian musicians, as English people seem to enjoy Andean music as much as Colombians do!