Carlitos tells a funeral joke.

Morena's interview with Aldo Sirenio goes much better than expected as Casandra gets scolded for her dealings with Aldo and Lucio.

Members of Spanish pop band La Oreja de Van Gogh, upon exceeding one million friends on Facebook, thank their fans and share a bit of their music.

As Milagros tries to spice up the church choir for the mass, drama unfolds back at the mansion as the family prepares to attend.

Learn how moods are expressed in Spanish with Ester and Silvia, instructors at San Sebastian's El Aula Azul.

At Colombia's Mono Núñez music festival, many indigenous musical instruments can be heard. Learn about some of them in this video.

75 Minutos continues its exploration of the intense and dedicated lives of Spanish chestnut pickers.

Aldo tries to convince Cassandra to join forces with him to secure the family fortune as the police take Yago by surprise.

Spanish beach volleyball player Pablo Herrera gives us his perspective on his sport, his 2012 Olympic experience in London and the merits of his country.

Listen to Catalonian singer-songwriter, Joe Crepúsculo's single, "Enseñame a Amar." Crepúsculo's work is characterized by his raw, lo-fi sound which he publishes under the Creative Commons license, posting it on his website for the public to enjoy for free.

Ivo and his father butt heads. Meanwhile, Ramón comes up with a scheme for Morgan to win Victoria's heart.

Listen to late Latin salsa singer, Hector Lavoe's signature single, "Mi Gente," from the album La Voz. The hit was recorded in Africa in 1973 with the Fania All Stars.

Originally from Barcelona, Lydia now lives in London where, after abandoning her career in international business for one in audiovisual production, she began the “Women Mujeres Spanish Film Festival” to showcase how women are portrayed in recent Spanish film. Lydia elaborates on her career change as well as giving us some insight into the charms of both London and her native Barcelona.

Drama ensues between the housekeepers as Bernardo continues to worry about Angélica's fragile state and Milagros attempts to breathe some life into the church choir.

Historians continue to discuss the subjective nature of recorded history and the fine line between fiction and fact.